Professor of English
Phone: 269.337.7075
Office: Humphrey House, room 203
Email: Babli.Sinha@kzoo.edu
About Babli:
How did you end up a college prof?
I had a long and winding road to graduate school. After graduating from Washington and Lee University with a degree in French and English, I was uncertain as to my future path and began working on the production side of the publishing business in New York. In my spare time, I was reading the material to which I had never been exposed in college, namely African, South Asian, Francophone, and Anglophone literature, film, and post-colonial theory. I began a PhD program in French at Indiana University, Bloomington and found that I missed the interdisciplinarity and comparative frameworks happening in English graduate programs. I left Indiana after my MA in French literature and began my studies at the University of Chicago. In the English program at the University of Chicago, I was able to study film and literature with a global and theoretical perspective. After my PhD, I taught and participated in a post-doctoral program at UCLA entitled Cultures in Transnational Perspective prior to arriving at K in the fall of 2008.
What do you love about K?
I love the seriousness and engagement of the students. Having taught at a number of larger institutions, I can say with certainty that it is a rarity to have classes in which student motivation and preparedness can be taken for granted. It allows our classes to be spaces in which we can have rigorous discussions about the political, aesthetic, and cultural issues engaged by literary texts.
Book or film that you love?
Charles Burnett’s 1978 film Killer of Sheep is a beautiful story of Stan, a sensitive African-American man living in Compton. His sensibilities are at odds with the toughness needed to do his work in the slaughterhouse and to support his family in a segregated America. The images of Stan dancing in the moonlight with his wife and enjoying the warmth of a teacup against his cheek speak to the ability of cinema to re-sensitize distracted spectators to the sensory experiences of life, and the ironic use of music in the film exposes the inequalities that undergird American society.
Education:
PhD in English: The University of Chicago, 2006
MA in French: Indiana University, Bloomington, 1999
BA in French and English: Washington and Lee University, 1995
Courses taught:
- ENGL 152: RTW: Genre: (the Novel)
- ENGL 153: RTW: Classical Hollywood in a Global Context
- ENGL/SEMN 219: Magical Realism
- ENGL 221: African Literature
- ENGL 260: African Cinemas of Belonging
- ENGL 262: Feelings and Sensations at the Movies
- ENGL 318: Post-Colonial Literatures (Applied Theory)
- ENGL 434: Advanced Film Theory: (Cinema and the Spectator)
- ENGL 436: Advanced Literary Theory
Publications:
Books:
The Bengal Famine and Cultural Production: Signifying Colonial Trauma
(Routledge 2023)
Cinema, Transnationalism, and Colonial India: Entertaining the Raj
(Routledge 2013)
South Asian Transnationalisms: Cultural Exchange in the Twentieth Century (Routledge 2012)
Articles:
Trauma, Realism, and the Bengal Famine of 1943 (Cultural Dynamics, 2020)
The BBC Eastern Service and the Crisis of Cosmopolitanism (Historical Journal of Film, Radio, and Television, 2018)
Collective Suffering and the possibility of empathy in Karan Mahajan’s The Association of Small Bombs and Kiran Desai’s The Inheritance of Loss (Commonwealth Literature, 2018)
Managing Orientalism: Biography, Performance, and the Films of Sabu and Merle Oberon (South Asian Diaspora, 2016)
A “strangely un-English actress”: Race, legibility, and the films of Merle Oberon (Journal of Popular Film and Television, 2016)
Dissensus, Education, and Lala Lajpat Rai’s Encounter with W.E.B. DuBois (South Asian History and Culture, 2015)
Empire films and the dissemination of Americanism in colonial India (South Asian History and Culture, 2011)
‘Lowering our Prestige’: American cinema, mass consumerism, and racial anxiety in colonial India (Comparative Studies of South Asia, Africa, and the Middle East, 2009)